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Workin'

  • Nov. 10th, 2009 at 3:09 PM

So I'd been thinking that my oil paintings were all pretty quiet.  Which isn't a bad thing, I like a quiet painting.  But I wanted to stretch out a bit. 

The tentacle painting was my first shot at cutting loose, but the figure still stayed pretty still and quiet.  Since there doesn't seem to be much point in cutting halfway loose, here are the pencils for the next one in the works.  The idea is to make it the opposite of subtle.



Comments

( 4 comments — Leave a comment )
[info]newbabel wrote:
Nov. 10th, 2009 11:11 pm (UTC)
I believe the only appropriate response is found in my icon.
[info]jasoncm wrote:
Nov. 11th, 2009 02:14 am (UTC)
oh, you flatterer. My motto working this is "balls to the wall."
[info]finkenstein wrote:
Nov. 11th, 2009 02:08 am (UTC)
this is so fucking badass. That bike! That bike is fucking up my MIND!
[info]jasoncm wrote:
Nov. 11th, 2009 02:19 am (UTC)
Thanks, Jess. The bike's based on my brother's Triumph. My changes to it are pretty aesthetic -- smooshing the cowling around to try to make it evocative of a samurai helmet kinda like this one:
http://www.samurai-store.com/armor/img/item/L25A-0.jpg

The scene is going to be the middle of the night, lots of neon reflected in the bike's black paint (and the explosion, of course). The signage in a mix of Japanese, English, Korean, and whatever the hell else I feel like. Got my fingers crossed, but it should ROCK.
( 4 comments — Leave a comment )

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